During the 1980’s a wave of hyper-explicit genre fiction emerged, dubbed ‘splatterpunk’ by the horror press, that focused less on classical story spookiness than visceral expressions of extreme violence. Led by a vanguard of young, hip writers like Clive Barker, David J. Schow, Craig Spector and John Skipp, Richard Laymon and, later, Poppy. Z Brite, the loosely-defined movement instigated a polarizing split among the practitioners of literary terror. Some critical authors, most vocally notable being the late Charles Grant, lambasted the new gory aesthetic and advocated a return to more traditional forms of written fear in the vein of Shirley Jackson, Richard Matheson and Ray Bradbury, with their focus on atmosphere, mood, setting and character rather than imitative cinema slasher-style butchery.