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During a devastating hurricane, a young woman finds herself trapped in the crawlspace of a house with two enormous alligators. Cue the terror.

Haley (MAZE RUNNER's KAYA SCODELARIO) is a professional swimmer who gets a call to check on her estranged father as a hurricane barrels down on the state. Defying evacuation orders, she drives through a roadblock to ensure her father (BARRY PEPPER) is safe.

He's not.

While making a repair in the crawlspace of the family home, he got mauled by an enormous alligator. Fearing him dead, Haley barely escapes the maw of one alligator, but her luck runs slimmer the longer she's forced to find a way out of the crawlspace as the floodwaters rise, threatening to drown them both.

Previously released in two parts, THE DEATH OF SUPERMAN and REIGN OF THE SUPERMEN have now been edited together into a seamless, single movie experience.

Superman (JERRY O'CONNELL) is struggling. As Clark Kent, his relationship with Lois Lane (REBECCA ROMIJN) is difficult to commit to as he has been keeping a huge secret from her. He becomes particularly nervous about this when his parents come to town and meet Lois for the first time. The advice of his fellow Justice League members is that he should open up to her if he wants her to be a larger part of his life.

After having endured the dark debacle that was passed off as TITANS on the DC Universe streaming service, I was once bitten, twice shy about DC Universe's other original series, DOOM PATROL, a spin-off of the TITANS series (having made a guest appearance that season).

Trepidatiously, I began watching the opening season, hitting the play button like clicking the pull/spin switch on video slot games, hoping this one was going to roll up better results than TITANS did.

Jackpot!

Back in the day when the UNCANNY X-MEN were jumping from one classic arc to the next classic arc, the House of Ideas threw a huge curveball at us when it was revealed Jean Grey had been possessed by a cosmic entity so powerful that it could -- and did -- destroy planets. And even though she was supposedly cured of this, there was still a need to balance the scales of justice. She couldn't just walk away from a genocide unscathed. The death of Jean Grey for the actions of the Phoenix Force was more than just a classic story -- it was a pivotal milestone in the history of the X-Men.

Getting an accurate retelling in a movie was a hopeless case from the beginning. To do it even the slightest justice would have required a season of a live-action X-Men series.

So what we get with X-MEN: DARK PHOENIX is pretty much a standalone film that uses some of those ideas and character names, to tell a completely different story.

When a car is forced off the road and the driver awakens with head trauma and amnesia, he arouses the curiosity of the nurse taking care of him. But this John Doe (JONATHAN RHYS MEYERS) may just be a hunted serial killer who's been leaving a trail of dead young women throughout the Midwest. The lead FBI investigator (MALIK YOBA) thinks they've got their man, but Nurse Diana (FRANCESCA EASTWOOD) sees something in the injured amnesiac that leads her to believe he's innocent -- even if he did have the latest victim trussed up in the trunk of the car he wrecked.

When Karen helps John escape the clutches of the law to prove his innocence, flashes of his lost memories begin to return, making it quite possible he really is the serial killer everyone claims him to be.

Starting out as a B-team of heroes in the CW's Arrowverse, DC's LEGENDS OF TOMORROW has evolved from being a time-traveling adventure story that didn't take itself too seriously to being a full-out sitcom of superheroes who reference the main continuity but who remain unaffected by it -- and, apparently, don't affect it all that much themselves, despite what should be some world-changing impacts -- particularly given the very public appearance of some very supernatural happenings.

Has it really been 15 years since Lindsay Lohan and Tina Fey introduced us to The Plastics and the Burn Book? Time has really flown -- but the girls have never looked better than in this 15th anniversary Blu-ray, celebrating this milestone event.

Being the fashion-conscious person you are, you naturally must own this. But you don't have to tell your friends you won it from us -- it'll be our secret. All you have to do is follow a few simple rules (and we do have rules) -- but they're, like, super easy. You can visit our Facebook page, our YouTube channel, or do some Twitter things. Any and all of them will add entries for you and increase the chances that your name will be selected at random as our winner.

So get to clicking below -- and remember: On Wednesdays we wear pink!

Cryptid films were a drive-in staple during the 1970s. None were going to win any Oscars, but the audiences weren't there for that. They wanted cheap chills and theatrical thrills from creatures that haunted the woods like those near their home towns.

Capitalizing on the nostalgia for this genre, Small Town Monsters has faithfully recreated the look and feel of this grindhouse-style of storytelling with MOMO: THE MISSOURI MONSTER.

The film is presented inside the framework of a modern-day television show, with your cryptid-hunting host, Lyle Blackburn, who takes the audience to the town of Louisiana, Missouri, where sightings of a hairy hominid made the papers in the early 1970s. He then takes viewers back to this film, presenting it as the only copy of an unearthed and unreleased treasure loosely based on encounters with the creature and simultaneous reports of UFO sightings.

The seventh season of ARROW brings with it echoes of the Green Arrow movie idea that was tossed around in the late 1990s. SUPERMAX was teased as a film about a superhero who gets incarcerated in a maximum security prison with the people he helped put there. It was later revealed that superhero was going to be Green Arrow, but the movie never made it out of development.

Now in ARROW we get a taste of what that movie might have been, as Oliver Queen (STEPHEN AMELL) is arrested for his activities as the Green Arrow under a plea deal that allowed the rest of Team Arrow -- including his wife, Felicity (EMILY BETT RICKARDS) -- to walk free. But while Oliver's new identity is Inmate 4587, a new Green Arrow has taken to the streets, one whose identity remains a mystery to all.

The King of the Monsters doesn't get much respect these days. Attempts to bring the giant radioactive lizard to the big screen have largely succeeded in special effects, pleasing the hardcore Godzilla fans, but plotlines haven't been enough to draw in wider audiences.

The fourth season of THE FLASH ended with the world-shattering introduction of Nora West-Allen (JESSICA PARKER KENNEDY), the super-speedster XS from the future. Now, in typical DC Comics canon, XS is Jenny Ognatz, from a thousand years in the future and a member of the Legion of Super-Heroes. The children of The Flash were supposed to be The Tornado Twins, one of whom would give birth to Bart Allen, the speedster known as Impulse. And that may still be the future for The Flash. Because the timeline is malleable.

Schadenfreude ran rampant today among anime fans who have found themselves at odds these past several months with a handful of voice actors employed and/or contracted to Funimation, a company licensed to provide English language dubs for Japanese animated franchises, including the extremely popular DRAGONBALL Z.

Funimation has been at the core of a controversy surrounding one voice actor, Vic Mignogna, who has been accused of sexual misconduct and summarily fired from doing further voice acting for the studio. Fans of Mignogna have come together under the banner of #IStandWithVic, claiming no concrete proof has been established, and indeed Mignogna has set up a legal fund for the express purpose of filing a defamation suit. Meanwhile, his accusers have organized under the hashtag of #KickVic for the purpose of protesting conventions that continue to host Mignogna as a celebrity guest.

The scariest horror stories are the ones that feature real monsters: humans.

OCTAVIA SPENCER impresses in every role I've seen her, but MA is the first time I've ever seen her in a horror/suspense role. She doesn't disappoint. In fact, she downright disturbs.

The character of Sue Ann is a mixture of psychoses, springing from a traumatic event in her adolescence. Arrested development, kleptomania, Munchausen's -- all these and more bubble in the cauldron of Sue Ann's plan for vengeance.

MA opens when Erica (JULIETTE LEWIS) returns to her home town with her teenaged daughter Maggie (DIANA SILVERS) in tow. Maggie makes some new friends, who like to party it up. When they try to get an adult to buy them some booze, they meet up with Sue Ann, who agrees to make the purchase. Expressing concern for the teens' safety, she also offers them her basement as a place for their revels. Her catering to them soon has them calling her "Ma," which she encourages.

Fourteen seasons. Over three hundred episodes. And the Winchester Brothers are still out there, plugging away at evil and taking out the monsters.

Now you have a chance to have this milestone season added to your video collection, with all the bonus features and the digital version to carry with you so you can enjoy the adventure at any time.

But first you have to acquire this artifact. And for that, you have to...well, honestly, you don't have to do that much. Just check out the form below and pick the option you like best. You can even pick all of them if you'd like to maximize your number of entries and increase your odds.

Be sure to check out our rules and regulations before proceeding, then get on with it and kick some demon butt! (Or, you know, just click some things.)

There's a new villain haunting the dark streets of Gotham City -- and he knows the secrets of the entire Bat-family!

Who is this mysterious Red Hood (JASON SPISAk), and how is he so familiar with Batman (TROY BAKER), Nightwing (LOREN LESTER), Robin (SCOTT MENVILLE), Batgirl (ALYSON STONER) and even the latest member, Batwoman (TARA STRONG)? That's the mystery they have to solve before Gotham is blown to smithereens, as the Red Hood has set five bombs to go off in town, each guarded by an Arkham Asylum super-villain. 

In terms of sheer visual spectacle, ROCKETMAN is without peer. Brilliantly mixing magical metaphor with raw reality, this film straddles the boundaries between musical and biopic.

From the very first scene and the very first note, ROCKETMAN is riveting. The film opens with the adult Elton John (played superbly by TARON EGERTON) strutting into an addiction support group in full sequined regalia. It doesn't feel like it could be real, and it's the most subtle part of the film, as it's used as a storytelling device throughout the movie. As we progress, we return to this device, each time with more of the costuming stripped away--a metaphor for deconstructing the mythical Elton John and getting down to the man himself.

There have been several efforts to destroy my childhood by revamping and modernizing classic characters. But I have to give props for someone who goes all-out to in-your-face do it.

The Banana Splits were the hosts of a Saturday morning kids show. They were a rock and roll group comprised of Fleegle, Bingo, Drooper and Snorky--an anthropomorphic dog, gorilla, lion and elephant. It was silly, it was slapstick, and it was a bit psychedelic (although my tolerance had already been set high thanks to LIDSVILLE and THE BUGALOOS).

This film from Director Danishka Esterhazy takes a decidedly different course with these beloved and/or forgotten (take your pic) children's icons, turning them into animatronic actors who go on an unexpected crusade of slaughter, answering the age-old question: What if the Terminator had been a furry?

The tagline for the film reads, "Every Heist Needs a Getaway."

This film is a good excuse to exercise the getaway before getting into the heist.

The action, such as it is, happens in a small town town where Detective Tom Broza (TOM SIZEMORE) has just relocated from the big city of New York. Why he left, we don't know, but we can surmise that Bruza was too incompetent to be kept on the force given the way he handles this case.

UGLYDOLLS is one of those films that works if you (a) don't question things and (b) have something to read while your kids watch it. The premise of the Overly Optimistic Outcast has simply been done to death, and it would take some masterful storytelling to jolt some life into that tired old plot.

The UglyDolls are toys that didn't make the quality cut at the factory, and get shunted down a chute to Uglyville. Moxie (KELLY CLARKSON) still dreams of making it to "the big world" and finding her child, and every day in Uglyville is a party with Moxie at the head of it. No one thinks Moxie will every realize her dream, but none of them, not even Mayor Ox (BLAKE SHELTON), crush her positive attitude.

The character you are about to see in this movie has a lengthy and rich history, nearly as long as Superman's, and peppered with controversy from the beginning.

And, despite a relatively recent change to the comic book mythos that carried over to this movie, his name is not Shazam. His name is Captain Marvel, and he predates a certain Air Force pilot turned alien warrior turned superhero by leaps and bounds. "Shazam" is what he shouts to change from youthful Billy Batson into his adult hero persona, as he does in this movie. Why would he call himself "Shazam" if every time he introduced himself he ended up changing identies?