Television

While it's not known yet if this will be a weekly occurrence, it's a nice way to keep those streaming numbers up. Offering live viewers an opportunity to get additional content, could keep those hardcore fans watching two nights in a row. SUPERMAN AND LOIS already broke records for the CW when it comes to ratings for Live+3 (which factors in streaming numbers) with over 2.7 million viewers.

So what important scene was left out of the episode that aired on TV? It certainly wasn't a brief moment between Clark and Lana. Instead it was an important exchange between Sam Lane and Superman.

In just two episodes, we've come to realize that General Lane accepts Superman as an ally (see also: weapon). When Captain Luther fails, yet again, in acquiring kryptonite from a military complex, Superman demands to know what he's looking for. That's when General Lane comes clean about his dirty secret.

He's been stockpiling kryptonite.

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The Flash returns to The CW with its seventh season, and -- for the most part -- it's back to firing on all cylinders.

The concept of Barry being on the precipice of using up his remaining Speed Force had drawn on overly long in season six, so it was a relief that the problem finally gets a resolution in this episode, even if it did come at the sacrifice of a major character. Or... did it? We'll get to that in a little bit.

‘Horrible beyond conception was the change which had taken place in my best friend, Crawford Tillinghast.’

With that decidedly lurid line, visionary horror icon H.P. Lovecraft opened his 1934 mini-masterwork, ‘From Beyond’, a brief tale that features a scientist--the aforementioned Crawford Tillinghast--striving to invent a machine that stimulates a person's pineal gland, allowing them to perceive alternate planes of existence, which, unsurprisingly for the founding author of cosmic horror, invokes a menagerie of creepy-crawly, squiggling creatures into our own dimension with dire and deadly consequences.

This fifth season of Mountain Monsters has seen production dial back the drama in a big way. In fact, to some degree, they've almost over-corrected from the season where every night was three or more mysterious encounters with demons, various bigfoots, and ghostly little girls. This seventh episode contains what might have been half-an-episode of those earlier seasons for all the revelations actually emphasized.

Superman and Lois finally gives Tyler Hoechlin a chance to fully flex his inner Superman. Sure, he's been okay in Supergirl and the other Arrowverse crossovers, but now he's got the whole show to himself -- shared, of course, with his family: wife Lois (Elizabeth Tulloch) and twin 13-year-old sons Jonathan (Jordan Elsass) and Jordan (Alex Garfin).

The AIMS Team is, quite apparently, spending the entire fifth season in Tygart County, West Virginia. What began as a simple hunt for the presence of wolves -- itself an unlikely event given that wolves were historically hunted to extinction in the state -- has turned into a quest for yet another cryptid.

I've wanted to like Batwoman. Wanted to from the very launch of the series. But the first season steadily tanked midway through, and this second season hasn't done much to right the ship.

The new Batwoman, Ryan Wilder (Javicia Leslie) is personally moved by a missing boy when she sees the location from where he was taken. It turns out Ryan herself had been taken as a young girl at the exact same location -- a comic book shop -- by a woman who called herself The Candy Lady (Linda Kash). She would keep the children in her attic with a bowl of jellybeans, and then take a jellybean each day as a sort of countdown for two months to prove the child didn't matter to anyone -- as nobody would come looking for her.

And the Candy Lady isn't seen as a threat to her potential victims, because she's a nice white woman.

Snowpiercer is a television series based on the movie of the same name, starring Jennifer Connelly, Daveed Diggs, and an expanding cast of characters who, mostly, represent the less-than-respectable aspects of humanity.

The Snowpiercer itself is a train, 1000 cars long, that houses the last remaining humans on Earth. With the planet frozen over, one man's vision was to create a train that would keep traveling around the globe, generating heat and being a self-sustaining environment to support everyone until... well, until the world warmed up again, I suppose. As plans go, I'd have probably opted for a space station, or an underground bunker. But, hey, who doesn't love a train? And maybe we'll even get a toy line out of it.

On the same day Critical Blast announced that Gina Carano had been selected by our readers as the Best Series Actor for 2020 based on her work in the Disney Plus streaming series, The Mandalorian, came the shocking capitulation from Lucasfilm to social media outrage over postings by the actress. The postings addressed historical methods of the government dividing people by turning friends and neighbors on each other before moving in themselves to take over the process.

Streaming services once again dominated the voting for the category of Best Series Actor of 2020, with not a single traditional broadcast medium making a statistical showing.

Hulu's The Great saw leads Elle Fanning and Nicholas Hoult both achieve 3% of all votes cast, in a three-way tie with DC Universe's Stargirl's Luke Wilson, while the superhero lead for the aforementioned Stargirl, Brec Bassinger, pulled in 4%.

DC Universe also saw Doom Patrol's April Bowlby stretch past the pack to nab 9% of the ballots, but Anya Taylor-Joy doubled that with 18% for her work on Netflix's The Queen's Gambit.

When Critical Blast first published, we tried to create a category for every form of entertainment medium. A natural choice seemed to be television -- if you didn't see a movie in a theater or on home video, that seemed to be the default option.

Even when we began our annual reader-decided awards, "Best Television Show" seemed a natural category, even with streaming services firing up. But now it just seems strange to call it that -- anachronistic even, particularly in a year where not a single traditional broadcast network garnered enough votes for any series to make a sizeable showing in our results. Streaming has done to serial entertainment what crowdfunding has done to comic books -- it's widened the field of choices and the competition has gotten fierce.

The fifth season of Riverdale has only aired its second episode, and it already feels like all the air has been let out of its tires. "The Preppy Murders" wraps up just about every mystery that was left -- some of them too quickly and too pat -- in what feels like a rushed job of writing. Granted, it could be that these first few episodes might have been meant to be the last few episodes of the previous season, cut short by COVID-19, and perhaps that's why this episode has such a "finale" feel about it. But there wasn't much left to springboard out of for the rest of the season, let alone the next episode.

Alice (Rachel skarsten) takes the next step in her plan to bring terror to Gotham. As she leans over the dead body of her former cohort, Mouse, we get a flashback to a scene where bats invade her hiding spot so that we can be reminded that 'bats eat rats.' This is important to what Alice is doing now, which is catching a rat and duct-taping it to Mouse's dead chest so that it will attract bats to come take nibbles of Mouse as well.

Cut to two months ago, and a pre-Batwoman Ryan Wilder (Javicia Leslie) being rescued from a Halloween night mugging by Batwoman (in shadow, so it's not a Ruby Rose cameo). We then see Ryan interview for a security job and being turned down for it because she pled guilty to 18 months in Blackgate. This is all to establish more of Ryan's backstory to provide motivations for why she would want to take over the role of Batwoman and what she might do with the title.

Riverdale makes its fifth season debut, picking right up with the mysterious videotapes being left around the town where every house apparently still has a functioning VCR in the living room. The last tape was saw featured a group of teens wearing plastic masks resembling Archie, Jughead, Betty and Veronica all killing a masked version of Principal Honey, who was disgraced out of his office. And while there was a lot of high tension to capitalize on, so much of it was burned through so quickly it didn't feel like it had time to fully impact the storylines.

When Ruby Rose decided to leave the role of the lead character on the CW's BATWOMAN, it put the writers into a bit of a tailspin. The easy thing to do would have been to recast the character with a different actress. In fact, I'll go so far as to say that the proper thing to do would have been to recast the role, because now you have to invent a whole new reason for why Kate's gone, who takes over being Batwoman, and next thing you know there'll be more actresses in the suit than have flown a Tardis.

The cryptid-chasing series Mountain Monsters returns to the Travel Channel, starting out on a somber note. The series went on a bit of a hiatus after the AIMS team leader, Trapper John Tice, passed away back in December 2019, and now the team prepares to move on without him. But though Trapper himself is gone, his leadership and guidance remain, as his daughters pass along to the team his journal, full of a lifetime's worth of information on cryptids and a special note for the hunters: if they want to continue, "Go to the blue marker and take it from there."

Chilling Adventures of Sabrina returns to Netflix for a fourth -- and possibly fatal -- season. Following the events of the third season, where Sabrina (Kiernan Shipka) faced the dilemma of either becoming Queen of Hell or remaining with her friends, the viewers get to bounce back and forth between two Sabrinas -- Sabrina Spellman and Sabrina Morningstar -- as the teenage witch solved the problem by splitting herself into two bodies. But this throws the cosmos into imbalance, and leads to the return of the Eldritch Terrors as the showrunners deliver up a love letter to Lovecraft.

It was the best of times. It was the worst of times.

Actually, it was 2020, so scratch that first bit entirely. But as ugly as the past year has been, there were still a few moments that perked things up. So as loath as we may all be to actually look back at this year, we're asking our readers to do so for just one more month as we collect votes from you, our readers, to select the award winners in our BEST OF 2020.

The movie theaters were bereft most of the year, but production companies found ways around that, and many movies went straight to streaming services. Streaming options also presented us with several nominees for our Best Series.

But it was the crowdfunding renaissance in the comic book arena that really shook up the nomination processes this year, shouldering their way past the mainstream giants to stand side-by-side with them for Best Comic, Best Comics Writer and Best Comics Artist.

When I sat to watch this third season of Yellowstone, it was without the benefit of having seen what had come before. I duly brought up the pilot on my Spectrum on-demand screen, and my initial impression was that this was going to be a show to fill the void for those few fans of Dallas that were left, wanting to see business men in cowboy hats and pretend it was a western.

Boy, howdy, was I ever wrong. While it may take a bit for this third season to warm up, the heat keeps getting turned up by degrees until you are simply riveted to this story of feuds, infighting, intrigue, and the pride that comes with land ownership. Especially the ownership of lots and lots of land, such as the Yellowstone Ranch owned by John Dutton (Kevin Costner) and his family -- Kayce (Luke Grimes), Jamie (Wes Bentley) and Beth (Kelly Reilly), scions of an empire that may be seeing its last hurrah.